![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
[IC] TEST POST
[ Miles Vorkosigan cuts an unusual figure even under the most extraordinary circumstances: tiny and somewhat hunchbacked, his curved spine obvious even beneath his custom-cut Imperial Security green military uniform. Unless you're bitty like him (and he's met few adults below his height of 4'8"), he likely comes up to your shoulder or a little lower.
There is, however, a manic energy to the man that makes him fill up more than his physical space. Sharp, penetrating gray eyes take in the world around him as great refreshing gulps of information. Depending on the situation, he may be taking in you as well. ]
A - Canon
[ In his case, you suddenly find yourself in an empty and rather old-fashioned looking house. Old-fashioned except for the high tech consoles installed in various areas, anyway, and if one looks out the window a relatively sci-fi-esque view can be seen interspersed with vaguely Russian architecture. Miles looks up, startled by your sudden appearance. ]
I'm sorry, have we met?
[ In other words, how the hell did you just waltz into the Vorkosoigan House without him being alerted by the guards? Visiting his father or mother, maybe? That's the only thing coming to mind. ]
B - Mask or Menace
[ Staring, Miles can deal with. It's depressingly normal and almost comforting, given the circumstances. But having people approach him like some kind of celebrity is damned unsettling. It feels like some awful combination of being both Lord Vorkosigan and Admiral Naismith at the same time ... which is technically true, but he's not enough at ease with himself to cross those wires just yet.
Speaking of which. He fixes a brilliant smile on his face as his confident swagger threatens to knock over anyone within a five meter radius of him. The space operatic Admiral Naismith persona in full force and practically spilling over. After all, when faced with a wall, Miles tends to charge right the hell on through. First obstacle to be defeated: finding out what the hell is going on and why his head is feeling strangely full all of a sudden.
He's about twenty or so, though with a face like his he could be anywhere between early twenties and early thirties. The tell-tale import barcode flickers at his wrist; he hasn't quite realized what that means for himself or anyone else. In a remarkably flat, pseudo-American accent: ]
You know, I think I've gotten myself lost. Any chance you're more familiar with this place?
[ Heropa is where he's come out first, but by now he could be in any of the Porter cities. ]
There is, however, a manic energy to the man that makes him fill up more than his physical space. Sharp, penetrating gray eyes take in the world around him as great refreshing gulps of information. Depending on the situation, he may be taking in you as well. ]
A - Canon
[ In his case, you suddenly find yourself in an empty and rather old-fashioned looking house. Old-fashioned except for the high tech consoles installed in various areas, anyway, and if one looks out the window a relatively sci-fi-esque view can be seen interspersed with vaguely Russian architecture. Miles looks up, startled by your sudden appearance. ]
I'm sorry, have we met?
[ In other words, how the hell did you just waltz into the Vorkosoigan House without him being alerted by the guards? Visiting his father or mother, maybe? That's the only thing coming to mind. ]
B - Mask or Menace
[ Staring, Miles can deal with. It's depressingly normal and almost comforting, given the circumstances. But having people approach him like some kind of celebrity is damned unsettling. It feels like some awful combination of being both Lord Vorkosigan and Admiral Naismith at the same time ... which is technically true, but he's not enough at ease with himself to cross those wires just yet.
Speaking of which. He fixes a brilliant smile on his face as his confident swagger threatens to knock over anyone within a five meter radius of him. The space operatic Admiral Naismith persona in full force and practically spilling over. After all, when faced with a wall, Miles tends to charge right the hell on through. First obstacle to be defeated: finding out what the hell is going on and why his head is feeling strangely full all of a sudden.
He's about twenty or so, though with a face like his he could be anywhere between early twenties and early thirties. The tell-tale import barcode flickers at his wrist; he hasn't quite realized what that means for himself or anyone else. In a remarkably flat, pseudo-American accent: ]
You know, I think I've gotten myself lost. Any chance you're more familiar with this place?
[ Heropa is where he's come out first, but by now he could be in any of the Porter cities. ]
no subject
[ He stills himself for real this time. ]
no subject
no subject
There's only one leak in regards to his identity, small enough that even he doesn't notice it. More like a permeance in his mind that won't go away: not Admiral Miles Naismith, but rather Lord Miles Vorkosigan. ]
no subject
While there may not be any thoughts detectable like this, Miles should still be able to just feel Spock; truthful, sincere, yet adamant in his chosen discipline, literal to a fault and fiercely loyal. Definitely telling the truth before then.
After allowing Miles to become accustomed to the meld, Spock begins to move around in his head a bit, mindful of the barriers, but actively seeking the telepathic link Milers spoke of ... ]
no subject
Miles is all light and sparks, vibrant energy that is glorious when present and utterly, agonizingly hollow when not. He meant it about being either on or off all the time. After some fumbling to adjust to the meld - this is very different from his link with Gregor - he maneuvers to bring the link to the front of his mind. Like a valve between the two of them, with points to adjust the flow on each side. Seems perfectly healthy, if still being adapted to. No way to check how it's affecting Gregor without opening the link. ]
no subject
no subject
If Spock is done checking, then Miles is gently going to shoo him out. Before he slips up any more than he already has. Now is the winter of our discontent-- ]
no subject
no subject
no subject
Miles jolts back with a gasp. ]
Ah - ah. That was ... very different.
no subject
[ Spock moves slowly away, switching back to the opposite side of the booth to allow room for Miles should he want it after that. For a few heartbeats, Spock doesn't meet his eyes ... ]
no subject
I - er - you read Shakespeare?
no subject
... Ah. My apologies. I was just considering how to ask you the same question. The shields I had used to keep our minds mostly separated had somewhat collapsed towards the end of the mind meld.
no subject
And thus something slipped through?
no subject
I perceived a memory of yours, also relating to Shakespeare.
no subject
And? What did you see?
no subject
You were memorizing Richard III from the works of Shakespeare that had been given to you. Though I did not perceive the exact location of the memory, I understood it to be of significance to you personally.
no subject
Yes ... One of my few companions as a child.
no subject
I would presume so. A privileged childhood is often described and lonely in great literally such as Shakespeare's works, are they not?
no subject
But that doesn't fit his cover. He hesitates as he finds himself trying to find an explanation for this that makes sense. Alone, good, start there-- ]
Yes, very much so. I was enamored with the concept. Lonely nobility. Then again, don't we all want something we can't have?
no subject
Such is the nature of Humans.
no subject
Yes. If I count in that regard.
[ Quick, seed the rest of his cover while he still can. If he still can. ]
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...